This romantic comedy, shot in a road-movie style, tells the story of businessman Petr Kraus and his personal transformation. After returning from China, where he supervised the production of clothing for his customers, Petr finds out that the manufacturer had ruined the whole order and so he gets into trouble with the contractor who wants some astronomical compensation for the damage. Peter knows that he should solve the problem quickly, but instead he decides to go on a trip seeking his personal happiness and an escape from responsibility. Fortunately, his close friends, Tereza and Pavel are there to help...

Ralf Paeschke is a film student who has to make a documentary film about a group of women working in a lamp factory. There is brazen Susie, mischievous Kerstin, lonely Anita, single Ella, withdrawn Gertrud and the imposing forewoman. When Kerstin is suspected of stealing, tension among the women mounts. Ralf demands that things be clarified, and his film plays an unexpected role in the matter.

Freddie Steinmark, an underdog on the gridiron, faces the toughest challenge of his life after leading his team to a championship season.

All My Children is an American television soap opera that aired on ABC for 41 years, from January 5, 1970 to September 23, 2011, and on The Online Network since April 29, 2013 via Hulu, Hulu Plus, and iTunes. Created by Agnes Nixon, All My Children is set in Pine Valley, Pennsylvania, a fictitious suburb of Philadelphia which is modeled on the actual Philadelphia suburb of Rosemont.

Arthur Miller's scathing portrait of American society is revived here by director Howard Davies with an intricate, naturalistic set and detailed performances.

A musical loco drama about the love and coming-of-age story of a group of passionate young people who pursue their dreams of classical music.

Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the third of the six films, "Yesterday's Tomorrows," filmmaker Barry Levinson delves into what we, as Americans, thought the future would be as we traveled through the 20th century. Houses and cars of the future, the promise of technology, and the other hopes and dreams of the early part of the century gave way to the fears and anxieties brought about by the atomic age and the Hollywood disaster films that followed. Soon we wondered if we could control technology, or if it would control us. This film is by turns light-hearted and thoughtful, and rare historical and archival film, produced by government and industry, alternates with on-screen interviews with people as diverse as consumer advocate Ralph Nader, cartoonist Matt Groening, futurist Alvin Toffler, comedienne Phyllis Diller, and actor Martin Mull.

Showtime's "In the 20th Century" is a millennium-related strand of feature-length documentaries in which famous directors take on major subjects of their choosing. In the third of the six films, "Yesterday's Tomorrows," filmmaker Barry Levinson delves into what we, as Americans, thought the future would be as we traveled through the 20th century. Houses and cars of the future, the promise of technology, and the other hopes and dreams of the early part of the century gave way to the fears and anxieties brought about by the atomic age and the Hollywood disaster films that followed. Soon we wondered if we could control technology, or if it would control us. This film is by turns light-hearted and thoughtful, and rare historical and archival film, produced by government and industry, alternates with on-screen interviews with people as diverse as consumer advocate Ralph Nader, cartoonist Matt Groening, futurist Alvin Toffler, comedienne Phyllis Diller, and actor Martin Mull.

A portrait of a young man, Michael, so obsessed with death that he decorates his room with a life-size Grim Reaper. One night Michael's closest buddy, Louis, joins him for an adventure in Hollywood on Christmas Eve.

Small time grifter, Charlie holds himself responsible for the death of his son. Trying to right his wrongs, he collides with a well meaning loser named Tommy G, a wanna-be actor who thinks he looks like Tom Hardy. They rob a liquor store to pay a gambling debt to a frightening mob boss, Big Angie, only to find out the store is owned by the mobster. The more they try to fix it, the more it unravels.